Access your personalized watchlist, ratings, and recommendations.
As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.
general audience, movie lovers
folk music, lgbt, woman director, electronic music
United Kingdom
asSelf
Verified multi-platform critics & audience scorecards
150,000 verified ratings
125 approved critics
5 community votes