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An Antwerp journalist finds his daily life increasingly disrupted by unexplained phenomena, such as an authentic letter from 1919 that refers to an event taking place at a much later date. Because these disturbances are consistently linked to the name “Joachim Stiller,” the journalist becomes obsessed with it. The resolution, which is closely tied to his traumatic experiences from the Second World War, takes place with a psychiatrist—and later at an abandoned railway station in an Antwerp suburb. Interwoven with this is a subplot about an Antwerp art dealer who believes he can become rich through a new form of painting. To achieve this, he takes a mentally disabled artist hostage. The narrative also follows various romantic entanglements involving the journalist, which ultimately lead to his happy experience of fatherhood.
general audience, movie lovers
belgium
Belgium
asFreek Groenevelt
asSimone Marijnissen
asLily
asWiebrand Zijlstra
asSiegfried
asMadame Frans
asDirekteur lijkenhuis
asAndreas Colijn
asJoachim Stiller
asSchepen Keldermans
asMorgue Assistant
asSecretary
asStella Von Kipperfisch
asZijlstra’s secretaresse
asClemens Waalwijk
asOnbekende
asPsychiater
asCafébaas
asSecretaris
asSuzanne
asBert
asBerts vriend
asWil Walckeniers
asVerpleegster
asMadame Bloeminck
asMinister
asMadame Van Blankenberghe
asHoertje Arlet
asArbeider
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